Magic Charms

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Schau dir unsere Auswahl an spells magic charms an, um die tollsten einzigartigen oder spezialgefertigten, handgemachten Stücke aus unseren Shops zu. Schau dir unsere Auswahl an magic charms an, um die tollsten einzigartigen oder spezialgefertigten, handgemachten Stücke aus unseren Shops für charms zu. the savannah landscape of the interior, the customs, the festivities and the dances - the magic charm of the West African way of life. laruelle.co Loom Magic Charms!: 25 Cool Designs That Will Rock Your Rainbow | Thomas, Becky, Sweeney, Monica, Alguard, Neary | ISBN: | Kostenloser​. Magic Charms. Most of our jewelry is handmade on the order Transport is carried out by courier GLS with 17 lei, We ship outside the country ☎️

Magic Charms

the savannah landscape of the interior, the customs, the festivities and the dances - the magic charm of the West African way of life. laruelle.co Loom Magic Charms!: 25 Cool Designs That Will Rock Your Rainbow | Thomas, Becky, Sweeney, Monica, Alguard, Neary | ISBN: | Kostenloser​. übersetze magic charms von Englische ins Deutsch. Suche. Remove Ads. Übersicht. Englisch nach Deutsch: mehr Daten. magic charms: Zauberspruch. The intellectualist check this out to defining magic is associated with two prominent British anthropologistsEdward Tylor and James G. This charm Beste in Gunzenheim finden back lost Maria Himmelfahrt In Bayern, refreshes brain power and removes brain fatigue. Legilimency is the magical skill of extracting feelings and memories from another person's mind—a form of magical " telepathy " although Snape, an able practitioner of the art, dismisses the colloquial term "mind-reading", as a drastic oversimplification. In Order of the Phoenixit is mentioned that the study of Arithmancy is required to become a Curse-Breaker for Gringotts. She has described this as "a way of giving texture to the world". Unexpected wealth, business, prosperity and improvement in monetary affairs. If all of someone's horcruxes are destroyed, then his soul's only anchor in the material world would be his body, the destruction of which would then cause https://laruelle.co/uk-online-casino/hotel-spielregeln.php final death. Hagrid is resistant to certain spells, like the Stunning Spell, due to his giant blood. For this reason, and for reasons of security, many homes have Anti-Apparition spells protecting them from uninvited intrusions. Voldemort practices Occlumency throughout the period of Half-Blood Prince to deny Harry access to his thoughts and emotions.

Magic Charms - Beschreibung

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This charm is strongly recommended for one and all. Death - Crash - Injury? Wearing this magic protection charm will protect it's user from the unseen dangers of travel, like dangers in flight, loss of baggage, missing travel schedules, feeling of fright, travel sickness and more.

One of the more commonly used magic charms is the Madonna charm. Also known as the Madonna travel charm. This protection charm is worn to insure the owner of a safe trip.

It is used for a safe journey from different types of travel. Whether it be by car, plane, ship or whichever mode of transportation you require, this magical Madonna travel charm should be used by you.

Take the fear out of travel by using this magic charm that is made per your requirements. Attract the unseen power from the universe by wearing this magical charm.

It will protect the wearer from evil and give you a sense of overall well being. Charms are commonly found objects in everyday life.

There are many types of charms available. Each charm is specifically made for your magical purpose or need. One of these charms is the Asha Sidhi planetary charm.

This particular magic charm pulls magical influences from all 9 planets to insure you the best quality charm. The Asha Sidhi is used in two ways.

Your choices with this charm would be to either have it made for a specific desire or to have it made for an overall well-being. This is a powerful magic charm.

Highly concentrated, it takes two weeks for preparation. Supplied in an exquisite amulet par excellence. For all objects or any one in particular by invoking 9 planets for your lifetime.

Find love, lost love and more. This love charm will help you renew you love and with everything relating to love and your loved ones.

Keep you relationship strong with this fabulous love charm. This love charm is prepared only when all powers in the past have failed and you have tried everything possible.

This is full of powers and a gift from my GURU to me. The principle is the same. As the moon attracts the sea water and tides are formed in the sea, similarly, the beloved is attracted by the lover and are never separated till death with this powerful love charm.

One of the most powerful love charms in the world is the Premika charm. It is a powerful love charm that is to be used after all other practices have been tried and have failed.

This magical Premika love charm will attract the love of the woman or man you are seeking. It is a powerful charm made especially for your hearts love and desires.

Contact me to make this powerful love charm for you after all other attempts have been tried. By using this magical love charm, you will be welcoming the love you have been waiting for.

Success in court affairs, employment, promotions, long life, fame, comfort, honor, good health, protection from evil planets, spirits and enemies, success in examinations and increase in personal influence.

The enemy's evil will be rebounded to him or her, who shall suffer the same as he or she wished for you, lifelong. You will be free of all evil when you wear this mystical charm.

It magically fights evil forces against you and your loved ones. Don't let your enemies cast evil spells against you.

Magic Charms Video

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In early medieval Europe, magia was a term of condemnation. Ars Magica or magic is a major component and supporting contribution to the belief and practice of spiritual, and in many cases, physical healing throughout the Middle Ages.

Emanating from many modern interpretations lies a trail of misconceptions about magic, one of the largest revolving around wickedness or the existence of nefarious beings who practice it.

These misinterpretations stem from numerous acts or rituals that have been performed throughout antiquity, and due to their exoticism from the commoner's perspective, the rituals invoked uneasiness and an even stronger sense of dismissal.

In the Medieval Jewish view, the separation of the mystical and magical elements of Kabbalah, dividing it into speculative theological Kabbalah Kabbalah Iyyunit with its meditative traditions, and theurgic practical Kabbalah Kabbalah Ma'asit , had occurred by the beginning of the 14th century.

One societal force in the Middle Ages more powerful than the singular commoner, the Christian Church, rejected magic as a whole because it was viewed as a means of tampering with the natural world in a supernatural manner associated with the biblical verses of Deuteronomy Despite the many negative connotations which surround the term magic, there exist many elements that are seen in a divine or holy light.

Diversified instruments or rituals used in medieval magic include, but are not limited to: various amulets, talismans, potions, as well as specific chants, dances, prayers.

Along with these rituals are the adversely imbued notions of demonic participation which influence of them.

The idea that magic was devised, taught, and worked by demons would have seemed reasonable to anyone who read the Greek magical papyri or the Sefer-ha-Razim and found that healing magic appeared alongside rituals for killing people, gaining wealth, or personal advantage, and coercing women into sexual submission.

The Islamic reaction towards magic did not condemn magic in general and distinguished between magic which can heal sickness and possession , and sorcery.

Magic is therefore a special gift from God , while the latter is achieved through help of Jinn and devils. Ibn al-Nadim hold, Exorcists gain their power by their obedience to God, while sorcerers please the devils by acts of disobedience and sacrifices and they in return do him a favor.

Solomon took the writings of the sorcerer away and hid them under his throne. After his death, Iblis , unable to get close to Solomons court, told the people, they will find a treasure under the throne and thus lead them to sorcery.

Another account hold, sorcery came with the fallen angels Harut and Marut to mankind. During the early modern period, the concept of magic underwent a more positive reassessment through the development of the concept of magia naturalis natural magic.

Despite the attempt to reclaim the term magia for use in a positive sense, it did not supplant traditional attitudes toward magic in the West, which remained largely negative.

The Arabian cleric Muhammad ibn Abd al-Wahhab —founder of Wahhabism —for instance condemned a range of customs and practices such as divination and the veneration of spirits as sihr , which he in turn claimed was a form of shirk , the sin of idolatry.

Renaissance humanism saw a resurgence in hermeticism and Neo-Platonic varieties of ceremonial magic. The Renaissance, on the other hand, saw the rise of science , in such forms as the dethronement of the Ptolemaic theory of the universe, the distinction of astronomy from astrology, and of chemistry from alchemy.

There was great uncertainty in distinguishing practices of superstition, occultism, and perfectly sound scholarly knowledge or pious ritual.

The intellectual and spiritual tensions erupted in the Early Modern witch craze , further reinforced by the turmoil of the Protestant Reformation , especially in Germany, England, and Scotland.

In Hasidism , the displacement of practical Kabbalah using directly magical means, by conceptual and meditative trends gained much further emphasis, while simultaneously instituting meditative theurgy for material blessings at the heart of its social mysticism.

In Hasidic doctrine, the tzaddik channels Divine spiritual and physical bounty to his followers by altering the Will of God uncovering a deeper concealed Will through his own deveikut and self-nullification.

Dov Ber of Mezeritch is concerned to distinguish this theory of the Tzadik's will altering and deciding the Divine Will, from directly magical process.

In the sixteenth century, European societies began to conquer and colonise other continents around the world, and as they did so they applied European concepts of "magic" and "witchcraft" to practices found among the peoples whom they encountered.

In various cases, these imported European concepts and terms underwent new transformations as they merged with indigenous concepts.

When later Europeans encountered these West African societies, they wrongly believed that the fetiche was an indigenous African term rather than the result of earlier inter-continental encounters.

By the nineteenth century, European intellectuals no longer saw the practice of magic through the framework of sin and instead regarded magical practices and beliefs as "an aberrational mode of thought antithetical to the dominant cultural logic — a sign of psychological impairment and marker of racial or cultural inferiority".

As educated elites in Western societies increasingly rejected the efficacy of magical practices, legal systems ceased to threaten practitioners of magical activities with punishment for the crimes of diabolism and witchcraft, and instead threatened them with the accusation that they were defrauding people through promising to provide things which they could not.

This spread of European colonial power across the world influenced how academics would come to frame the concept of magic.

An example of this was the American journalist H. Mencken in his polemical work Treatise on the Gods ; he sought to critique religion by comparing it to magic, arguing that the division between the two was misplaced.

In the late nineteenth and twentieth centuries, folklorists examined rural communities across Europe in search of magical practices, which at the time they typically understood as survivals of ancient belief systems.

The scholarly application of magic as a sui generis category that can be applied to any socio-cultural context was linked with the promotion of modernity to both Western and non-Western audiences.

The term magic has become pervasive in the popular imagination and idiom. Modern Western magic has challenged widely-held preconceptions about contemporary religion and spirituality.

The chaos magic movement emerged during the late 20th century, as an attempt to strip away the symbolic , ritualistic , theological or otherwise ornamental aspects of other occult traditions and distill magic down to a set of basic techniques.

These modern Western concepts of magic rely on a belief in correspondences connected to an unknown occult force that permeates the universe.

The adoption of the term magic by modern occultists can in some instances be a deliberate attempt to champion those areas of Western society which have traditionally been marginalised as a means of subverting dominant systems of power.

Sorcery is a legal concept in Papua New Guinea law, which differentiates between legal good magic, such as healing and fertility, and illegal black magic, held responsible for unexplained deaths.

According to anthropologist Edward Evan Evans-Pritchard , magic formed a rational framework of beliefs and knowledge in some cultures, like the Azande people of Africa.

Bailey characterised magic as "a deeply contested category and a very fraught label"; [] as a category, he noted, it was "profoundly unstable" given that definitions of the term have "varied dramatically across time and between cultures".

However, even among those throughout history who have described themselves as magicians, there has been no common ground of what magic is.

In Africa , the word magic might simply be understood as denoting management of forces, which, as an activity, is not weighted morally and is accordingly a neutral activity from the start of a magical practice, but by the will of the magician, is thought to become and to have an outcome which represents either good or bad evil.

Anthropological and sociological theories of magic generally serve to sharply demarcate certain practices from other, otherwise similar practices in a given society.

Even more basically they serve to delineate arenas of appropriate belief. Randall Styers noted that attempting to define magic represents "an act of demarcation" by which it is juxtaposed against "other social practices and modes of knowledge" such as "religion" and "science".

Modern scholarship has produced various definitions and theories of magic. The context in which scholars framed their discussions of magic was informed by the spread of European colonial power across the world in the modern period.

Many different definitions of magic have been offered by scholars, although—according to Hanegraaff—these can be understood as variations of a small number of heavily influential theories.

The intellectualist approach to defining magic is associated with two prominent British anthropologists , Edward Tylor and James G.

Tylor's understanding of magic was linked to his concept of animism. He thus attempted to discover, to foretell, and to cause events by means of processes which we can now see to have only an ideal significance".

Tylor's ideas were adopted and simplified by James Frazer. The former was the idea that "like produces like", or that the similarity between two objects could result in one influencing the other.

The latter was based on the idea that contact between two objects allowed the two to continue to influence one another at a distance.

Where Frazer differed from Tylor was in characterizing a belief in magic as a major stage in humanity's cultural development, describing it as part of a tripartite division in which "magic" came first, "religion" came second, and eventually "science" came third.

For Frazer, magic "constrains or coerces" these spirits while religion focuses on "conciliating or propitiating them".

Some scholars retained the evolutionary framework used by Frazer but changed the order of its stages; the German ethnologist Wilhelm Schmidt argued that religion —by which he meant monotheism —was the first stage of human belief, which later degenerated into both magic and polytheism.

Frazer's notion that magic had given way to religion as part of an evolutionary framework was later deconstructed by the folklorist and anthropologist Andrew Lang in his essay "Magic and Religion"; Lang did so by highlighting how Frazer's framework relied upon misrepresenting ethnographic accounts of beliefs and practiced among indigenous Australians to fit his concept of magic.

The functionalist approach to defining magic is associated with the French sociologists Marcel Mauss and Emile Durkheim.

Mauss set forth his conception of "magic" in a essay, "A General Theory of Magic". Durkheim used magic to describe things that were inherently anti-social, existing in contrast to what he referred to as a "Church," the religious beliefs shared by a social group; in his words, "There is no Church of magic.

Scholars have criticized the idea that magic and religion can be differentiated into two distinct, separate categories.

Marett viewed magic as a response to stress. The term "magic" was used liberally by Freud. This motor impulse is at first employed to give a representation of the satisfying situation in such a way that it becomes possible to experience the satisfaction by means of what might be described as motor hallucinations.

This kind of representation of a satisfied wish is quite comparable to children's play, which succeeds their earlier purely sensory technique of satisfaction.

In the early s, the anthropologists Murray and Rosalie Wax put forward the argument that scholars should look at the "magical worldview" of a given society on its own terms rather than trying to rationalize it in terms of Western ideas about scientific knowledge.

According to Stanley Tambiah , magic, science, and religion all have their own "quality of rationality", and have been influenced by politics and ideology.

Science, according to Tambiah, is "a system of behavior by which man acquires mastery of the environment.

The magic-religion-science triangle developed in European society based on evolutionary ideas i. For this reason, academics like Michael D.

Bailey suggest abandon the term altogether as an academic category. Many scholars have argued that the use of the term as an analytical tool within academic scholarship should be rejected altogether.

Smith for example argued that it had no utility as an etic term that scholars should use. Bailey noted that, as of the early 21st century, few scholars sought grand definitions of magic but instead focused with "careful attention to particular contexts", examining what a term like magic meant to a given society; this approach, he noted, "call[ed] into question the legitimacy of magic as a universal category".

The historian Ronald Hutton notes the presence of four distinct meanings of the term "witchcraft" in the English language.

Historically, the term primarily referred to the practice of causing harm to others through supernatural or magical means.

This remains, according to Hutton, "the most widespread and frequent" understanding of the term.

Those regarded as being magicians have often faced suspicion from other members of their society. In Western societies, the practice of magic, especially when harmful, was usually associated with women.

Many of the practices which have been labelled magic can be performed by anyone. There can be economic incentives that encouraged individuals to identify as magicians.

Davies noted that it was possible to "crudely divide magic specialists into religious and lay categories". By means of rites the magician's relationship to the supernatural and his entry into a closed professional class is established often through rituals that simulate death and rebirth into a new life.

Mauss argues that the powers of both specialist and common magicians are determined by culturally accepted standards of the sources and the breadth of magic: a magician cannot simply invent or claim new magic.

In practice, the magician is only as powerful as his peers believe him to be. Throughout recorded history, magicians have often faced scepticism regarding their purported powers and abilities.

From Wikipedia, the free encyclopedia. Redirected from Magic paranormal. This article is about beliefs and actions employed to influence supernatural beings and forces.

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You may improve this article , discuss the issue on the talk page , or create a new article , as appropriate. Rituals or actions employed in the belief that they can subdue or manipulate natural or supernatural beings and forces.

Main articles: White magic , Gray Magic , and Black magic. Main article: Incantation bowl. See also: Jewish magical papyri.

Main article: Book of the dead. Main article: Amulet. Main article: Magic in the Greco-Roman world. Further information: Medieval European magic.

Further information: Renaissance magic. Further information: Magical thinking and Psychological theories of magic. This section may be unbalanced towards certain viewpoints.

Please improve the article by adding information on neglected viewpoints, or discuss the issue on the talk page. May Main articles: Witchcraft and Maleficium sorcery.

Religion portal. International Journal of Scientific and Research : Retrieved 15 May Altorientalische Forschungen.

Contemporary religious Satanism: A Critical Anthology. Ashgate Publishing, Ltd. Quest Books. Llewellyn Books. Leiden, The netherlands: Brill.

Israel's Divine Healer. Grand Rapids, Michigan: Zondervan. Mesopotamia: The World's Earliest Civilization. The Rosen Publishing Group.

Tzvi; Toorn, Karel Van Der Penn State Press. Retrieved Michigan Library. Lilith was, of course, the frequent subject of concern in incantation bowls and amulets, since her presence was.

Bromiley "D. Aramaic Incantation Bowls. It is sometimes accompanied by a distinctive cracking or popping sound, though the more skilled wizards such as Dumbledore can Apparate "so suddenly and silently" that they seem to have "popped out of the ground".

According to Harry, apparition is also accompanied by a very unpleasant squeezing sensation, as though being sent through a tight rubber tube.

The Ministry of Magic licenses Apparition. A witch or wizard must be 17 years old or older and have a licence to Apparate as a means of transportation in much the same way real-world governments require individuals to have a licence to drive a motor vehicle.

Students at Hogwarts may attend Ministry-administered Apparition lessons during their sixth year, and take their examination once they turn seventeen.

It is shown that although it is possible to Apparate without a licence, it is not usually done unless in lessons and is illegal.

In Deathly Hallows , Harry does not possess a licence, but since his Trace has been lifted, the Ministry is likely unaware that he does it.

Learning to Apparate is difficult, and students run the risk of splinching —being physically split between the origin and destination—which requires the assistance of the Ministry's Accidental Magic Reversal Squad to undo properly, although essence of dittany can also mend certain wounds.

Splinching is quite common during lessons, and can be uncomfortable and at times rather gruesome depending on the body parts splinched, but is ultimately harmless if properly reversed.

Although Ron can Apparate, he isn't terribly skilled at it, and splinches himself at least three times once losing half an eyebrow, two fingernails and part of his arm.

Harry and Hermione both pick up the skill quickly in comparison. As explained in the Half-Blood Prince , there is no word spell to Apparate or Disapparate, but the caster has to concentrate on the location on which he has to apparate, needs to be fully focused on the spell, and also has to "feel" it through the whole body.

It has been indicated that it is considered rude to Apparate directly into a private area, such as a home. Dumbledore states in Half-Blood Prince that it would be "quite as rude as kicking down the front door".

For this reason, and for reasons of security, many homes have Anti-Apparition spells protecting them from uninvited intrusions.

The accepted way to travel to a home is to Apparate to a nearby location and continue to the final destination on foot. Apparition is considered unreliable over long distances, and even experienced users of the technique sometimes prefer other means of transport, such as broomsticks.

Rowling has stated that Apparating over long distances depends on the skill of the wizard, and "Cross-continental Apparition would almost certainly result in severe injury or death.

For reasons of security, the grounds and buildings of Hogwarts are protected by ancient Anti-Apparition and Anti-Disapparition spells, which prevent humans from Apparating on the school grounds.

There is also a spell that prevents individuals from Disapparating, which Dumbledore places on the Death Eaters captured at the Ministry in Order of the Phoenix ; a sister spell, which allows one to Apparate into a location but prevents them from Disapparating out of it, is cast by the Death Eaters in Hogsmeade in concordance with the Caterwauling Charm.

Dumbledore is the only person who can both Apparate and Disapparate from the school grounds, since he is the headmaster. A witch or wizard can use Side-Along Apparition to take others with them during Apparition.

Dumbledore successfully transports Harry this way several times in Half-Blood Prince , and Harry's first non-lesson attempt at the skill is the Side-Along Apparition with the weakened Dumbledore when they return from the seaside cave.

In the Order of the Phoenix film, Death Eaters and Order members Apparate and Disapparate in clouds of black and white smoke respectively.

In the film, both sides also appear to be able to "half-apparate" in which their bodies were made out of smoke, giving them the ability to fly.

Both times Fred and George apparated and disapparated, they did it with a pop as in the books. In the books, the words "Apparate" and "Disapparate", like many other neologisms used by Rowling, are capitalised , whereas established English words such as "jinx" and "hex" are not.

Another possible derivation is from the English word "apparition", meaning "a supernatural appearance of a person or thing; anything that appears, especially something remarkable or startling; an act of appearing", which comes from the Latin "apparitio" , meaning attendance.

Some magical creatures have their own forms of instantaneous travel, such as a house elf's ability to teleport or a phoenix's ability to appear and disappear in a burst of flame.

Unlike wizards, these creatures are not restricted by anti-Apparition magic. Dobby , Kreacher and the rest of the house-elf population can Apparate within the Hogwarts grounds, as they demonstrate on multiple occasions, most notably when Dobby visits Harry in the hospital wing, and when Harry summons Dobby and Kreacher and assigns them to tail Draco Malfoy.

Fawkes disapparates from the headmaster's office at Hogwarts along with Dumbledore when the latter evades arrest at the hands of Ministry officials in Order of the Phoenix.

Some magical devices like the Floo Network , Portkeys and Vanishing Cabinets also provide forms of magical teleportation. An ability attributed to Veela and those of Veela heritage, such as Fleur Delacour , Veela charm is used to charm males, much as the Sirens do in The Odyssey.

Men who are exposed to it over time become more resistant to it, although the Veela charm takes full effect if the Veela surprises the man, as noted by Ron in Half-Blood Prince.

As shown in Goblet of Fire , one can use Veela hair as cores in magical wands. According to famed wandmaker Mr.

Ollivander, these wands are a little "temperamental". This refers to a certain degree of immunity against hexes and spells found in powerful creatures such as trolls , dragons , and giants.

Hagrid is resistant to certain spells, like the Stunning Spell, due to his giant blood. This type of resistance is not insurmountable; if enough Stunning Spells, for example, are fired at a creature with magical resistance at once, the creature may still be rendered unconscious.

Also, wizards and witches can resist certain spells with the power of their own sheer will, such as Harry did in Goblet of Fire , when Barty Crouch Jr.

At Hogwarts, students must study a core group of subjects for the first two years, after which they must choose between several electives.

During their final two years, students are permitted to take more specialized subjects such as Alchemy. Transfiguration, Defence Against the Dark Arts, Charms, Potions, Astronomy, History of Magic, and Herbology are compulsory subjects for the first five years, as well as flying lessons for the first year, which becomes optional for the remaining six years.

At the end of their second year, students are required to add at least two optional subjects to their syllabus for the start of the third year.

Very specialised subjects such as Alchemy are sometimes offered in the final two years, if there is sufficient demand.

There is a total of twelve named Professors at Hogwarts, each specializing in one of these subjects.

Transfiguration is essentially the art of changing the properties of an object. Defence Against the Dark Arts , commonly shortened to D. In Harry Potter and the Deathly Hallows , with Death-Eaters in charge of the school, the subject is renamed the Dark Arts , and involves pupils practicing the Cruciatus Curse on those who have earned detentions.

Harry is exceptionally skilled in this subject. Hagrid suggests in Harry Potter and the Chamber of Secrets that "They're startin' ter think the job's jinxed.

No one's lasted long for a while now. The position had also been coveted by Snape, but he was denied the position as well.

Snape was finally appointed D. Rowling announced in an interview that once Voldemort had died, the jinx he placed on the office was lifted and a permanent professor had been teaching the subject between the end of Deathly Hallows and the epilogue , set nineteen years afterwards.

Furthermore, she imagines that Harry Potter occasionally comes to the class to give lectures on the subject. Charms is the class that teaches how to develop incantations for the uses of bewitchment.

Rowling has described Charms as a type of magic spell concerned with giving an object new and unexpected properties.

The class is taught by Filius Flitwick. Potions is described as the art of creating mixtures with magical effects. It requires the correct mixing and stirring of ingredients at the right times and temperatures.

As to the question of whether a Muggle could brew a potion, given the correct magical ingredients, Rowling has said, "Potions seems, on the face of it, to be the most Muggle-friendly subject.

But there does come a point in which you need to do more than stir. Astronomy classes take place in the Astronomy Tower, the tallest tower in Hogwarts, and are taught by Professor Aurora Sinistra.

Lessons involve observations of the night skies with telescopes. No astronomy lessons are shown in the books, but they are frequently referenced.

Known student homework activities include learning the names of stars, constellations and planets, and their location, movements, and environments.

History of Magic is the study of magical history. Cuthbert Binns ' lessons are depicted as some of the most boring at Hogwarts.

They are only lectures, given without pause, about significant events in wizarding history.

Topics have included goblin rebellions, giant wars, and the origins of wizarding secrecy. This is the only class at Hogwarts that is taught by a ghost, as the professor never noticed he had died and simply continued teaching as if nothing had changed.

Herbology is the study of magical plants and how to take care of, utilise and combat them. There are at least three greenhouses described in the books, holding a variety of magical plants.

Herbology is also the only subject Neville excels in. The epilogue to Deathly Hallows explains that he later replaces Professor Sprout as the Herbology teacher.

Arithmancy is a branch of magic concerned with the magical properties of numbers. As Harry Potter does not take this subject, the class is never described in the books.

It is, however, a favourite subject of Hermione. Arithmancy is reportedly difficult, as it requires memorising or working with many charts.

In Order of the Phoenix , it is mentioned that the study of Arithmancy is required to become a Curse-Breaker for Gringotts.

The subject is taught by Professor Septima Vector. Study of Ancient Runes , more commonly known as Ancient Runes , is a generally theoretical subject that studies the ancient runic scripts.

Because only Hermione studies it, little else is known about this subject, taught by Professor Bathsheda Babbling. Divination is the art of predicting the future.

Various methods are described, including tea leaves , fire omens , crystal balls , palmistry , cartomancy including the reading of conventional playing cards and the tarot , astrology , and dream interpretations.

Divination is described by Professor McGonagall as "one of the most imprecise branches of magic". Those opposed claim that the subject is irrelevant and fraudulent.

Harry is first taught Divination by Professor Trelawney, and then later by Firenze after Trelawney is sacked by Dolores Umbridge in Harry's fifth year.

In the sixth and presumably seventh year, Firenze and Professor Trelawney share Divination classes, divided by year. Care of Magical Creatures is the class which instructs students on how to care for magical beasts.

Classes are held outside the castle. In Harry's first two years, the class is taken by Professor Silvanus Kettleburn who then retires "in order to enjoy more time with his remaining limbs".

Dumbledore then recruits the gamekeeper Rubeus Hagrid to accept a teaching position along with his gamekeeping duties.

When Hagrid is absent, his lessons are taken over by Wilhelmina Grubbly-Plank, a witch and an acquaintance of Dumbledore's. Muggle Studies is a class that involves the study of the muggle non-magical culture "from a wizarding point of view.

As the class is only mentioned as being taken by Hermione , and for just one year, little is known about its curriculum. In the opening chapter of the final book, Voldemort murders Professor Charity Burbage because she portrays muggles in a positive light and is opposed to limiting wizardry to only people of pure-blood origins.

However, her lessons which are made compulsory mainly describe muggles and muggle-borns as subhuman and worthy of persecution.

Alchemy classes are not mentioned in the Harry Potter series; however, Rowling has used Alchemy as an example of a 'specialized' subject offered when there is sufficient demand.

Alchemy is a philosophical tradition searching for the philosopher's stone , which is said to have the power to turn base metals into gold and to contain the elixir of life , which makes or keeps the drinker young and immortal.

Flying is the class that teaches the use of broomsticks made for the use of flying and is taught only to Hogwarts first years by Rolanda Hooch.

The subject is the only one that requires physicality. The only flying lesson depicted in the Harry Potter series is in Harry Potter and the Philosopher's Stone ; the class is never mentioned in following installments; and is not a part of the O.

Apparition is an optional class for those in the sixth and seventh years at Hogwarts, in preparation for obtaining their license.

Magical enchantments on Hogwarts castle and grounds prevent Apparition and Disapparition inside the castle; however Half-Blood Prince explains that these protections are temporarily relaxed within the Great Hall for short periods to permit students to practice.

Students are warned, though, that they will not be able to Apparate outside of the Great Hall and that it would be unwise to try. Splinching is a common mistake in apparition which causes body parts to split.

The Unbreakable Vow is a voluntary agreement made between two witches or wizards. It must be performed with a witness "Bonder" on hand, holding their wand on the agreeing persons' linked hands to bind them with magic as a tongue of flame.

The Vow is not literally "unbreakable" as the person taking it is still able to go back on his or her word, but doing so will cause instant death.

Another example in Half-Blood Prince occurs when Ron tells Harry how Fred and George tried to make him undertake an Unbreakable Vow, but because of their father's intervention, they did not succeed.

Priori Incantatem from Latin: priorem incantatum - a previous spell , or the Reverse Spell Effect , is used to detect the spells cast by a wand.

The spells cast by the wand will emerge in smoky or ghost-like replicas in reverse order, with the latest spell emerging first.

It is first encountered in Goblet of Fire when the house elf Winky is found holding Harry's wand.

This spell is used to reveal that it was indeed Harry's wand that cast the Dark Mark. In Harry Potter and the Half Blood Prince , it is revealed that the teenage Voldemort murdered his father and grandparents using his uncle Morfin's wand, knowing that, when examined, the wand would incriminate Morfin as the murderer.

This would reveal that she had accidentally broken his holly-and-phoenix-feather wand when a curse misfired and they both narrowly escaped Voldemort earlier.

As a result, the protection of the shared cores was lost and, worse still, this would now be made known to Voldemort.

During the final duel between Harry and Voldemort, the latter mentions that he knows that the holly and phoenix wand is destroyed, implying that the Priori Incantatem has indeed been performed on Hermione's wand, as they had feared.

Forcing two wands that share the source of their cores to do battle can also cause a more potent form of Priori Incantatem.

The tips of the two wands will connect, forming a thick golden "thread" of energy, and the two wands' masters fight a battle of wills.

The loser's wand will regurgitate shadows of spells that it has cast in reverse order. This phenomenon occurs during the duel between Harry and Voldemort at the end of Goblet of Fire.

Their simultaneous spells Harry and Voldemort cast "Expelliarmus" and "Avada Kedavra" respectively trigger the threads, and as Voldemort loses the battle of wills, his wand regurgitates, in reverse order, echoes of the people his wand had last murdered: Cedric Diggory ; Frank Bryce ; Bertha Jorkins ; as well as Harry's parents.

Harry was previously informed by Mr. Ollivander that the holly wand that "chose" Harry was the "brother" of the yew wand that gave him the lightning-shaped scar on his forehead, although the significance of this was not discussed then.

Dumbledore later reveals to Harry that his and Voldemort's wands both contain a tail feather given by Dumbledore's pet phoenix , Fawkes.

The Dark Arts are magical spells and practices that are usually used for malicious purposes. Practitioners of Dark Arts are referred to as Dark witches or wizards.

The most prominent of these is Voldemort, known to them as the Dark Lord. His followers, known as Death Eaters , practice the Dark Arts while doing his bidding.

The type of spells characteristic of Dark Arts are known as curses, [27] which usually cause harm to the target.

All, to a certain degree, are in some circumstances justifiable. The motivation of the caster affects a curse's result. This is most notable in the case of Cruciatus : when cast by Harry, angered by the death of his godfather at Bellatrix's hands AND desiring to punish her, it causes a short moment of pain.

As Bellatrix herself comments, righteous anger does not allow the spell to work for long. When cast by figures such as Voldemort, who desire to inflict pain for its own sake, it causes intense agony that can last as long as the Dark witch or wizard desires.

Use of Dark Magic can corrupt the soul and body; Voldemort has used such magic in his quest to prolong his life and obtain great power.

The Dark Arts also cause Voldemort to look deformed and inhuman, a side effect of splitting his soul into Horcruxes.

According to Snape, the Dark Arts "are many, varied, ever-changing and eternal In the wizarding world, use of the Dark Arts is strongly stigmatised and some aspects are illegal; however, these spells are prevalent enough that even before the rise of Voldemort, many schools including Hogwarts taught Defence Against the Dark Arts as a standard subject.

Techniques include anti-curses and simple spells to disable or disarm attackers or fight off certain creatures. Some schools, such as Durmstrang , teach Dark Magic.

The Unforgivable Curses are some of the most powerful known Dark Arts spells. They were first classified as unforgivable in Used by the books' villains, such as Voldemort and the Death Eaters and in some cases the Ministry of Magic, their use inspires horror and great fear amongst others.

The curses are so named because their use is forbidden and unforgivable in the wizarding world and is punishable by a life sentence in Azkaban.

The only exception is if a person is proved to have done them under the influence of mind control. These curses are thus very rarely used openly.

Shortly after his resurrection, Voldemort names two Death Eaters "killed by Aurors ". He also uses the Imperius Curse on a goblin and a suspicious Death Eater during their disguised attack upon Gringotts Bank.

The Dark Mark is the symbol of Voldemort and the Death Eaters and takes the form of a skull with a snake coming out of the mouth in place of a tongue.

The mark is cast into the sky by Death Eaters whenever they have murdered someone. Morsmordre is the spell to conjure the Mark.

It first appears in Goblet of Fire and is described as a "colossal skull, composed of what looked like emerald stars, with a serpent protruding from its mouth like a tongue".

Once in the sky it was "blazing in a haze of greenish smoke". Dark Marks are also branded on the left forearm of the closest followers of Voldemort.

The mark serves as a connection between Voldemort and each who bears it; he can summon them by touching his mark, causing it and those of his followers to burn and change colour.

Death Eaters can summon Voldemort in the same fashion. In all other film appearances it has been grey. An Inferius plural: Inferi is a corpse controlled through a Dark wizard's spells.

An Inferius is not alive, but a dead body that has been bewitched into acting like a puppet for the witch or wizard; this manifests itself as a white mist in the controlled corpse's eyes.

They cannot think for themselves: they are created to perform a specific duty assigned by the Dark wizard who commands them, and as seen in the Inferi guarding Voldemort's Horcrux in a seaside cave, remain idle until their task can be performed.

This task is then thoughtlessly carried out, whether or not it will produce any result. Inferi are difficult to harm by magic; however, they can be repelled by fire or any other forms of heat or light, as the Inferi in Voldemort's cave had never been exposed to either of these elements.

When defeated, they return to their idle state. Inferi are considered dangerous and frightening enough by the magical world that impersonating an Inferius as Mundungus Fletcher is reported to have done in Half-Blood Prince is an offence worthy of imprisonment in Azkaban.

The Ministry of Magic fears that Voldemort is killing enough people to make an army of Inferi: as they are dead, they are very difficult to stop.

When Voldemort was hiding one of his Horcruxes in the past, he filled a lake in a cave with many Inferi, which were to attack and drown anyone but Voldemort who came into the cavern and took the locket.

When Harry and Dumbledore took the locket, the Inferi attacked Harry; Dumbledore repelled them with a rope of fire. It is also revealed that the Inferi almost killed Kreacher after he drank from the basin to help Voldemort hide his Horcruxes, but having been ordered to return to his master after his task with Voldemort was complete, he was able to apparate out of the cave.

These Inferi later killed Regulus Black when he stole the Horcrux and ordered Kreacher to destroy it. In Latin, the word inferus plural: inferi means "below", often referring in the plural to "the gods below" see di inferi or the spirits of the dead.

A horcrux is an object created using dark magic to attain effective immortality. The concept is first introduced in the sixth novel, Harry Potter and the Half-Blood Prince , although horcruxes are present in earlier novels without being described or expanded upon.

Following the preparation of the object, the witch or wizard must then take a life, an act which splits the soul.

Following that, further dark rituals are required in order to remove the soul shard from the maker and place it into the prepared object.

Once this is done, the Horcrux becomes impervious to almost all forms of destruction, requiring extremely powerful magic or substances to do so.

Ordinarily, when one's body is killed, the soul departs for the next world. If, however, the body of a horcrux owner is killed, that portion of his soul which had remained in his body will not pass on to the next world, but will rather exist in a non-corporeal form capable of being resurrected by another wizard.

If all of someone's horcruxes are destroyed, then his soul's only anchor in the material world would be his body, the destruction of which would then cause his final death.

To destroy the horcrux, the destroyer must destroy it in such a way that it is put beyond magical repair. In the Harry Potter series the subjects of magical portraits even those of characters that are dead can move, interact with living observers, speak and demonstrate apparent emotion and personality.

Some can even move to other portraits to visit each other, or relay messages, or if more than one painting of the subject exists move between separate locations by way of their portraits.

Many such portraits are found on the walls of Hogwarts. Some portraits are used to conceal the entrance of a room or passageway.

For example, the Fat Lady's portrait covers the entrance to the Gryffindor common room, and she can swing the portrait open when given the correct password or close to prevent entry.

There is also a painting of a large fruit bowl in front of the Hogwarts kitchen, which will swing open if the pear is tickled to reveal a hidden door.

Portraits are enchanted to move by the artist, but the degree to which they can interact with others depends on the power of the subject.

They are therefore "not as fully realised as ghosts". The portraits in the Headmaster's office depict all the former Heads of Hogwarts, with the exception of Dolores Umbridge.

They advise the Headmaster and are "honour-bound to give service to the present headmaster" according to Armando Dippet.

Rowling has explained that portraits of past headteachers tend to be more realistic than most, as the subject in question usually imparts knowledge and teaches them how to behave before their death.

The portrait of Snape was installed in the Headmaster's Office at Harry's request. The portrait of the Fat Lady covers the door to Gryffindor Tower.

She will open it sometimes grudgingly when the correct password is uttered. She is often upset after being awoken, and is sometimes seen drunk with her best friend, Violet.

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